Snoopy Vs. the Red Baron (Peanuts Seasonal Collection)


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“ The latest of Fantagraphics’ gorgeous Peanuts collections is guaranteed to fly off shelves faster than usual, centering as it does on the strip’s true star, Snoopy, battling his perennially unseen archenemy. ... Longing and humor are, as always, elegantly alternated... Peanuts aficionados will also delight in the opportunity to see the strip’s artistic and philosophical evolution play out in selections culled from 50 years of strips. †- Jesse Karp, Booklist“...[T]here’s something joyful and pure about Schulz’s excursions into the inner life of an anthropomorphized dog, who really is a perfect foil for the permanently disappointed Charlie Brown, and brings necessary shades to a comic frequently concerned with feelings of insignificance. In Snoopy Vs. The Red Baron, you see Schulz exalting the power of imagination, self-assuredness, and hope...†- John Parker, ComicsAllianceRead moreCharles M. Schulz was born November 25, 1922, in Minneapolis. His destiny was foreshadowed when an uncle gave him, at the age of two days, the nickname Sparky (after the racehorse Spark Plug in the newspaper strip Barney Google).In his senior year in high school, his mother noticed an ad in a local newspaper for a correspondence school, Federal Schools (later called Art Instruction Schools). Schulz passed the talent test, completed the course, and began trying, unsuccessfully, to sell gag cartoons to magazines. (His first published drawing was of his dog, Spike, and appeared in a 1937 Ripley's Believe It or Not! installment.) Between 1948 and 1950, he succeeded in selling 17 cartoons to the Saturday Evening Post―as well as, to the local St. Paul Pioneer Press, a weekly comic feature called Li'l Folks. It was run in the women's section and paid $10 a week. After writing and drawing the feature for two years, Schulz asked for a better location in the paper or for daily exposure, as well as a raise. When he was turned down on all three counts, he quit.He started submitting strips to the newspaper syndicates. In the spring of 1950, he received a letter from the United Feature Syndicate, announcing their interest in his submission, Li'l Folks. Schulz boarded a train in June for New York City; more interested in doing a strip than a panel, he also brought along the first installments of what would become Peanuts―and that was what sold. (The title, which Schulz loathed to his dying day, was imposed by the syndicate.) The first Peanuts daily appeared October 2, 1950; the first Sunday, January 6, 1952.Diagnosed with cancer, Schulz retired from Peanuts at the end of 1999. He died on February 13, 2000, the day before Valentine's Day―and the day before his last strip was published―having completed 17,897 daily and Sunday strips, each and every one fully written, drawn, and lettered entirely by his own hand―an unmatched achievement in comics.
“ The latest of Fantagraphics’ gorgeous Peanuts collections is guaranteed to fly off shelves faster than usual, centering as it does on the strip’s true star, Snoopy, battling his perennially unseen archenemy. ... Longing and humor are, as always, elegantly alternated... Peanuts aficionados will also delight in the opportunity to see the strip’s artistic and philosophical evolution play out in selections culled from 50 years of strips. †- Jesse Karp, Booklist“...[T]here’s something joyful and pure about Schulz’s excursions into the inner life of an anthropomorphized dog, who really is a perfect foil for the permanently disappointed Charlie Brown, and brings necessary shades to a comic frequently concerned with feelings of insignificance. In Snoopy Vs. The Red Baron, you see Schulz exalting the power of imagination, self-assuredness, and hope...†- John Parker, ComicsAllianceRead moreCharles M. Schulz was born November 25, 1922, in Minneapolis. His destiny was foreshadowed when an uncle gave him, at the age of two days, the nickname Sparky (after the racehorse Spark Plug in the newspaper strip Barney Google).In his senior year in high school, his mother noticed an ad in a local newspaper for a correspondence school, Federal Schools (later called Art Instruction Schools). Schulz passed the talent test, completed the course, and began trying, unsuccessfully, to sell gag cartoons to magazines. (His first published drawing was of his dog, Spike, and appeared in a 1937 Ripley's Believe It or Not! installment.) Between 1948 and 1950, he succeeded in selling 17 cartoons to the Saturday Evening Post―as well as, to the local St. Paul Pioneer Press, a weekly comic feature called Li'l Folks. It was run in the women's section and paid $10 a week. After writing and drawing the feature for two years, Schulz asked for a better location in the paper or for daily exposure, as well as a raise. When he was turned down on all three counts, he quit.He started submitting strips to the newspaper syndicates. In the spring of 1950, he received a letter from the United Feature Syndicate, announcing their interest in his submission, Li'l Folks. Schulz boarded a train in June for New York City; more interested in doing a strip than a panel, he also brought along the first installments of what would become Peanuts―and that was what sold. (The title, which Schulz loathed to his dying day, was imposed by the syndicate.) The first Peanuts daily appeared October 2, 1950; the first Sunday, January 6, 1952.Diagnosed with cancer, Schulz retired from Peanuts at the end of 1999. He died on February 13, 2000, the day before Valentine's Day―and the day before his last strip was published―having completed 17,897 daily and Sunday strips, each and every one fully written, drawn, and lettered entirely by his own hand―an unmatched achievement in comics.
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